The loser
There are some trick shots employ to create the effect and they are not hard to spot, although I really hope the special effect to be perfected to a point we can never spot anything. For a Japanese 1986 production, the effect is on par with Hollywood. Thing is, Hollywood studio will never pass such ridiculous treat!
Guinea Pig 4 - Mermaid In A Manhole takes a darker tone. Director by the same man inspiring Guinea Pig 2, this is a story of a curious relation between an artist and a mermaid he found in a manhole. The manhole is build on a river, which has been the artist's fortress of solitude, and also the place where he first met the mermaid when he was a kid. After his wife died or bedridden, don't quite remember, he often visit the manhole for inspiration, or simply just to escape. This is how he meet the injured mermaid and bring her home to treat her and to paint her as well.
Artist found mermaid
Eventually the mermaid dies and the artist dismembered it. Story ends with a twist that the police (brought by suspicious neighbours) found no mermaid but his dismembered dead wife along with her stillborn baby. But they do found an unidentified fish scale. So, the end is left ambiguous of if there really was a mermaid, or the whole episode is just the artist psychotic hallucination due to the trauma he suffered for losing his wife? Rather sour and disturbing story.
Finally he can't take it anymore, bloody scene.
Gore wise, the idea not so realistic. The injury the mermaid suffers, the lacerations as a result and it bleeds and pus coming from the wound has rainbow colors which the artist use to paint. We get to see the mermaid vomits some worms and the nicely act psychotic artist chopping of the mermaid into pieces at the end. The effect is good enough and real enough, just the rainbow color pus reminds us that this is just fantasy. Overall, still a damn disgusting entry, but the mermaid does have nice figure.
This episode is more to disgust rather than gore.
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